Original Works
Singular textile works with individual material, construction, condition and catalogue records. Sold works remain visible as part of the archive.
About WallTheArt
A point of view, built through material.
WallTheArt presents original textile works and selected gallery editions for contemporary interiors and considered collections.
Our position
We look for works that hold history without becoming fixed in it.
Existing motifs, wear, repair and irregularity are not treated as background noise. They form part of the visual intelligence of the work. Contemporary composition and surface intervention may enter that history, but they should not erase it.
What guides the programme
Four ways of looking.
Selection before accumulation.
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01
Material character
Age, pile, repair, color and construction remain visible parts of the work.
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02
Singular composition
Works are selected for visual presence and resolved as individual compositions, not treated as repeatable decoration.
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03
Responsible description
Technique, material, construction and condition details are documented individually for each work.
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04
Life in the room
Scale, architecture and daily living matter. A work should hold its presence beyond the product page.
Istanbul · New York
A dialogue between textile history and the rooms of now.
WallTheArt’s perspective begins with the material cultures surrounding Anatolian textiles and extends toward an international audience of collectors, designers and visually curious homes. The aim is not to flatten one context into another, but to let works travel with their material character intact.
The programme
Original works and selected editions, clearly distinguished.
Two bodies of work share one visual world while retaining different collecting propositions.
View original works
Gallery Editions
A deliberately limited selection of canvas and glass works, presented with a quieter and more accessible edition structure.
How we describe a work
Specific language is part of the record.
Material and process terms are used work by work. A piece is described as hand-knotted, handwoven, painted, sprayed or airbrushed only where that information is confirmed for the specific work.
- Individual material and dimension records
- Visible condition and intentional irregularity
- Individual artwork and catalogue records
People and practice
The work leads; the programme grows around it.
Phase one centres available works, material information and the collecting experience. Artist records, studio notes and extended biographies can be introduced as the programme develops and where they add meaningful context.
A considered acquisition
Begin with the work. Ask for what the screen cannot show.
Request additional images, condition details, scale guidance or a focused conversation around a work you are considering.